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I started my studies in Sound Production at Edinburgh College in 2017 and then finished my Bachelor's degree at the prestigious Glasgow School of Arts, where I gained a critical thinking approach.

 

To date, my sound design tends to be a passionate, self-produced practice that constantly enlarges my recording, post-production and mixing techniques while critically analysing the Nature within and surrounding us to bring it to the track and back to society.

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As previous examples of my practice I could mention my short film, The Circadian Shift (2020), which showcases the impact of Anthrophony [human-made] sounds on a day of the city's soundscape, or Ferrous Nature (2021), a soundscape, where I explored the vast possibilities of iron-based sounds, from bells to volcanos. Another example is the international award-winner short film Ubuntu (2022), whereby implementing visual and audio editing overlaying techniques helps the audience to embody a message from the forest itself.

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